Poetry is often separated into lines on a page. These lines may emphasize a rhyming pattern at the ends of lines. Lines may serve other functions, particularly where the poem is not written in a formal metrical pattern. Lines can separate, compare or contrast thoughts expressed in different units, or can highlight a change in tone.
Lines of poems are often organized into stanzas, which are denominated by the number of lines included. Thus a collection of two lines is a couplet (or distich), three lines a triplet (or tercet), four lines a quatrain, five lines a quintain (or cinquain), six lines a sestet, and eight lines an octet. These lines may or may not relate to each other by rhyme or rhythm. For example, a couplet may be two lines with identical meters which rhyme or two lines held together by a common meter alone. Stanzas often have related couplets or triplets within them.
The biggest thing I can say about stanzas and line breaks is be consistent. You can have more that one length stanza within a poem, but try to repeat the pattern throughout the poem. a four line stanza repeated or a four line then a two line, then a four line then a two line etc. Also your stanzas should have an impact on how the poem reads. They should emphasis a break in thought or change of scheme and not just be put there for no apparent reason. Most line breaks are simply to maintain the rhythm of the poem...
Romance as seen through the eyes of a romantic male. Beware of frequent ranting...
Sunday, July 18, 2010
Thursday, July 15, 2010
Love
I love you
Not only for what you are,
But for what I am
When I am with you.
I love you,
Not only for what
You have made of yourself,
But for what
You are making of me.
I love you
For the part of me
That you bring out;
I love you
For putting your hand
Into my heaped-up heart
And passing over
All the foolish, weak things
That you can’t help
Dimly seeing there,
And for drawing out
Into the light
All the beautiful belongings
That no one else had looked
Quite far enough to find
I love you because you
Are helping me to make
Of the lumber of my life
Not a tavern
But a temple.
Out of the works
Of my every day
Not a reproach
But a song.
I love you
Because you have done
More than any creed
Could have done
To make me good.
And more than any fate
Could have done
To make me happy.
You have done it
Without a touch,
Without a word,
Without a sign.
You have done it
By being yourself.
Perhaps that is what
Being a friend means,
After all.
Roy Croft
Not only for what you are,
But for what I am
When I am with you.
I love you,
Not only for what
You have made of yourself,
But for what
You are making of me.
I love you
For the part of me
That you bring out;
I love you
For putting your hand
Into my heaped-up heart
And passing over
All the foolish, weak things
That you can’t help
Dimly seeing there,
And for drawing out
Into the light
All the beautiful belongings
That no one else had looked
Quite far enough to find
I love you because you
Are helping me to make
Of the lumber of my life
Not a tavern
But a temple.
Out of the works
Of my every day
Not a reproach
But a song.
I love you
Because you have done
More than any creed
Could have done
To make me good.
And more than any fate
Could have done
To make me happy.
You have done it
Without a touch,
Without a word,
Without a sign.
You have done it
By being yourself.
Perhaps that is what
Being a friend means,
After all.
Roy Croft
A white rose
The red rose whispers of passion,
And the white rose breathes of love;
O, the red rose is a falcon,
And the white rose is a dove.
But I send you a cream-white rosebud
With a flush on its petal tips;
For the love that is purest and sweetest
Has a kiss of desire on the lips
John Boyle O’Reilly
And the white rose breathes of love;
O, the red rose is a falcon,
And the white rose is a dove.
But I send you a cream-white rosebud
With a flush on its petal tips;
For the love that is purest and sweetest
Has a kiss of desire on the lips
John Boyle O’Reilly
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